Film and Visual Culture Japanese Women's History Gender Studies Japanese Film Animation
Research Areas
Humanities & social sciences / Gender studies
Academic & Professional Experience
2017/04 - Today Toyo UniversityDept. of Intercultural Culture and Communication Studies, Faculty of LettersAssociate Professor
2016/07 - 2016/12 Dept. of East Asian Languages and Cultures, Columbia University東アジア言語・文化学部Associate Professor
2010/07 - 2016/06 Columbia UniversityDept. of East Asian Languages and CulturesAssistant Professor
2007/01 - 2010/06 Columbia UniversityDept. of East Asian Languages and CulturesAdjunct Assistant Professor
2006/09 - 2006/12 Ford Associateship, Five College Women’s Studies Research Center, South Hadley, MassachusettsUniversity of Massachusetts, AmherstFord Associateship
Education
- 2003/03 Gakushuin University Ph.D., Graduate School of Arts and Sciences
- 1993/02 City University of New York MA, Art History
- 1989/03 Sophia University BA, History
Published Papers
Yoru no onnatachi (1948): Male Complcity,Gender Equality and Democracy as Represented in an Immediate Postwar Japanese Film
Hikari Hori
Schriftenreihe der Vierteljahrshefte für Zeitgeschichte 119 167 - 181 2019/12 [Invited]
藤木, 秀朗; Phillips, Alastair (Joint workGender and Sexuality - Feminist Film Scholarships: Dialogue and Diversification)Bloomsbury on behalf of the British Film Institute 2020/05 9781844576784 xix, 604 p.
Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-45
Hikari HORI (Single work)Cornell University Press 2017/12
Faces of Aging: The Lived Experience of the Elderly in Japan
Hikari HORI (ContributorAging, Gender and Sexuality in Japanese Popular Culture: Female Pornographer Sachi Hamano and Her Rebellious Film “Lily Festival” (Yurisai))Stanford University Press 2011 109-134
Cinema, Law and the State in Asia
Hikari HORI (ContributorOshima Nagisa’s ‘Ai no korīda’ Reconsidered: Law, Gender, and Sexually Explicit Film in Japanese Cinema)Palgrave 2007 123-139